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Photography --- photography [process] --- fotoboeken --- fotografie --- Dhondt, Lara
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Twelve enigmatic images comprise this series by Belgian photographer Tom Callemin. The subjects people, nudes, ruined houses, trees, metal objects are pinned against a deep black background, caught in the flashbulbs glare in a stark and confrontational moment. We are forced to wonder about the underlying histories of the various abandoned structures, or why the man and young girl flinch before the cameras gaze, their hands raised in front of their faces. The female nudes stand like statues, eyes averted or closed, seemingly reluctant to engage their observer, and the trees appear misshapen, adding to the overall haunted aura of Callemins photography.
Photography --- photography [process] --- fotoboeken --- Callemin, Tom
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Josefien mounted two trap cameras (commonly used to capture wildlife) throughout the house. The idea? To document herself during pregnancy and beyond. Sufficed to say one’s mind does not ponder how to get the perfect shot when you’re actually the one in labor. You don’t want to be thinking about photography and proper framing during contractions or when you’re going in and out of intoxicating pain. So Josefien, well prepared, installed her trap cameras to capture the whole ordeal and catch herself off guard in the moment, transforming. Her photographs paint a raw and uncensored picture, portraying the photographer over a period of nine months and presenting (human) nature at its peak. As the cameras showed Josefien no mercy and every movement was registered, 86.000 photos were made. In addition to documenting ‘the act’ itself, these cameras became an all seeing eye: the photos tell a tale of euphoria, but they also lay bare the lows: tensions, sadness, struggle and sleep deprivation. This honesty is what makes Josefiens series so striking. Not only will young parents recognize the thrills and chills of the nine month period and its eventual apotheosis, even the random observer will experience a visceral reaction. This book packs a punch and smacks you in the face with the energy that keeps all new mothers going: love. "Can you prepare yourself for motherhood? The final nights before your birth I often thought about the calm before the storm. I allowed myself to be completely immersed in peace, while you were rooting in my belly. I knew that my life would change completely, but you only truly understand once you’ve actually become a mother. It’s like stepping through a gate and there’s no turning back (thankfully). You know what you’re leaving behind, but what’s to come is still a mystery." - Josefien Tondeleir in NEST For every book sold, Josefien will make a donation to Birthmatters.
documentary photography --- pregnancy --- fotoboeken --- Tondeleir, Josefien
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A photographic and collaborative work in a Reception Center for Asylum Seekers. In 2015, when a refugee camp settled in the Maximilian Park in the center of Brussels, Maroussia Prignot & Valerio Alvarez decided to work together around a photographic project on the issue of asylum and the reception given to it in Belgium. They went to a reception center and got permission to enter and meet the people who are waiting for a response from the General Commissariat for Refugees and Stateless Persons. At first, a documentary approach was used. Afterwards, they created various workshops together with the refugees, this over a period of three years. Prignot & Alvarez looked for the creation of a space, a method, that allowed a close collaboration with the refugees in order to construct an image and tell their story.
vluchtelingen --- #breakthecanon --- fotoboeken --- asielzoekers --- Prignot, Maroussia --- Alvarez, Valerio
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Between March 2020 and November 2021 Bram Van Meervelde (@ouaizda) and Jan Lemaire (@marinatedalligator) went beachcombing on the banks of the river Schelde. The treasures and trouvailles were compounded in the book Jutten designed by Jean-Michel Meyers. The book has an introduction by @jillmathieu and @anneliesdsmt of goodcopy.ink and a work by @rinusvandevelde. Why is it two men in boots keep trudging the mud in search of shards of the past? But a year has passed and on it goes, the larking, the scouring, the scavenging. One tea towel after another filled with coins, marbles, pipes. Finds have a strange hold over us. There’s a magic to them that shines on a lot longer than the soon fading glimmer of things we intentionally choose. That purposefulness is probably what kills our enthusiasm after a week or so. Because when we make a choice, there’s too much of ourselves in the object already. We don’t deem a consciously picked item deserving of a tea towel display. The more trash we’ve dug through to get to our treasure, the more it becomes. Hence the mud-crusted trouvailles. We’ve had to make our hands dirty and—like any good romance—half the pleasure lies in the hunt. So we go hunting for crap that’s out of place. Crap that becomes a find, simply because it was lost. A diamond is nothing very special in a jewellery store, but it’s everything when found among discarded fish. Yet maybe the real reason for this endless trawlings for trinkets is another story altogether. Not that of a seventeenth-century mariner tossing a coin into the Scheldt to buy a safe passage, but the belief that we’re not the ones that find the perfectly rounded rock, it’s the pebble that finds us. For all its muteness, it speaks to us. Extract Annelies Desmet & Jill Mathieu
Photography --- found objects --- fotoboeken --- Meervelde, Van, Bram --- Lemaire, Jan --- Scheldt
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For his series ‘The Inner Circle of Europe’, the photographer Gert Verbelen travelled to all eighteen countries of the eurozone. He visited the exact centre of each of these countries, where he spent a week photographing daily life. In almost every case, his journey took him to areas marked by poverty and isolation. Europe is very clearly not just the familiar institutions or a collection of destinations for our city breaks. Europe is also godforsaken villages where not a single young person lives anymore because there is no work. Verbelen’s photo documentary conveys a great sense of sadness and loneliness. At the same time, it reveals the strength of small communities and the strong bond with locality, the home, the kitchen, the living room, the chair in front of the TV,… These little rooms are treasure houses and true worlds in miniature. Every detail tells its own story. Gert Verbelen studied graphic design and photography at the Royal Academy of Fine Arts (KASK) in Ghent, where he completed his Master’s programme in 2014. His work has been admired at the International BredaPhoto Festival. This book accompanies the exhibition The Inner Circle of Europe at the Ghent photo festival, 80 Days of Summer, Stories of Identity, from 12 June until 30 August 2015.
Sociology of culture --- photography [process] --- fotografie --- Photography --- Verbelen, Gert --- Europe --- fotoboeken
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Belgique --- België --- Fotoboeken --- Livres de photos --- Luchtfotografie --- Photographie aérienne --- luchtfoto's --- aerial photographs --- Belgium
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Meneer Serafijn verzamelt dromen : zoete dromen, grappige, spannende en enge ... Hij schrijft ze allemaal neer in dikke boeken. Met die dromen maakt hij mensen gelukkig. Op een dag wil meneer Serafijn een droom voor zichzelf verzinnen, maar dat lukt hem niet.
Dutch literature --- dromen (themawoord fictie) --- prentenboeken (genre) --- PXL-Education 2013 --- jeugdliteratuur: tot 6 jaar --- prenten-, fotoboeken --- dromen --- Dromen --- Fantasie --- Prentenboek
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body art --- Stage design. Scenography --- bloemschikken --- Applied arts. Arts and crafts --- Photography --- Art floral --- Bloemsierkunst --- Fotoboeken --- Livres de photos
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